Haegue Yang

Haegue Yang, Long Neck Woman Upside Down, 2016. Installation view at Tate Liverpool, Liverpool Biennial 2018: Beautiful world, where are you? Photo: Roger Sinek © Tate Liverpool 

Haegue Yang, Long Neck Woman Upside Down, 2016. Installation view at Tate Liverpool, Liverpool Biennial 2018: Beautiful world, where are you? Photo: Roger Sinek © Tate Liverpool 

Haegue Yang (b. 1971, South Korea) lives and works in Berlin, Germany and Seoul, South Korea. Yang’s practice spans a wide range of media, from paper collage to performative sculpture and large-scale multi-sensorial installation, often featuring everyday objects, in addition to labour-intensive woven sculptures. Articulated using her abstract visual vocabulary, her anthropomorphic sculptures often play with the notion of ‘folk’. Her multisensory environments suggest uncontrollable and fleeting connotations of time and place, and experiences that connect us. 

For Liverpool Biennial 2018, Haegue Yang has created an immersive environment for her sculpture series The Intermediates (2015-ongoing) in Tate Liverpool’s Wolfson Gallery. Made from artificial woven straw, The Intermediates allude to both traditional arts and crafts techniques and modern industrial production methods. Representing figures and sites from folk tales and ancient traditions, they question definitions of ‘paganism’. Yang’s environment for these works includes recordings of wildlife taken from the British Library’s sound collection, a wallpaper juxtaposing pagan traditions and modern history, and suspended ribbons that evoke folk traditions such as maypole dancing. Her multisensory, hybrid environments suggest fleeting connotations of time, place, figures and experiences that connect ‘folk’ traditions and contemporary culture.

Selected recent solo exhibitions were at Museum Ludwig, Cologne (2018); KINDL, Berlin, Germany (2017); Hamburger Kunsthalle, Germany (2016); Centre Pompidou, Paris, France (2016); Ullens Center for Contemporary Art, Beijing, China (2015); Leeum, Samsung Museum of Art, Seoul, South Korea (2015); Museum of Contemporary Art, Strasbourg, France (2013); and Modern Art Oxford (2011).

Commissioned by Liverpool Biennial
Courtesy Galerie Chantal Crousel, Paris


Supported by

Arts Council England
Arts Council Korea
Institut für Auslandsbeziehungen
Galerie Chantal Crousel, Paris
Kukje Gallery, Seoul
Abakhan

Special thanks to Freya Curtis and Susan Ploetz

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