Jemima Wyman

Jemima Wyman, Collective Coverings, Communal Skin, 2012

Jemima Wyman, Collective Coverings, Communal Skin, 2012

Jemima Wyman’s new artwork for Liverpool Biennial 2012, Collective Coverings, Communal Skin, explored camouflage fabric as a material with symbolic links to violence and conflict. Donated second-hand camouflage and hunting t-shirts were used as weaving material on hula-hoop looms. The local community was invited to meditatively weave with the artist while transforming objects of conflict (uniforms/hunting t-shirts) into objects of comfort (soft psychedelic weavings). All of these individual woven contributions were added together to construct an internal architecture at FACT, re-territorialising the hard architecture of the institution into a site of radical hospitality. The process and final woven architecture created a space for group catharsis by building a communal site for contemplation, conversation and embodied knowledge.

Wyman has made Mandala-like hand-cut collages of liberation armies in irregular military uniforms, visually aggressive nomadic architecture, moveable communal body pillows and paintings of anonymously clad camouflaged bodies in protest from recent historic events. Her practice in its breadth aims to tackle the transformative potential of fabric representing its part in world events while also producing environments for the visitor to experience its effects first hand.

Jemima Wyman investigates the political potential of patterned fabric through photography, video, painting and social practice. Wyman is interested in generating and illustrating ‘communal skins’. This term was devised by the artist to articulate the role of fabric as social camouflage. Her work aims to explore the formal, political and psychological potentiality of camouflage in reference to collective identity. Patterned fabric over the centuries has been pathologized as feminine, decorative and passive. Wyman disagrees with these art historical notions of pattern. She began researching where patterned fabric was used in contradiction to this idea, where it appeared as a visual resistance strategy in conflict, protest and war.

Jemima Wyman (b. 1977, Sydney Australia) lives in Los Angeles, U.S.A and Brisbane, Australia. Recent exhibitions include the 17th Sydney Biennale: THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age (2010), the 21st Century Museum of Contemporary Art in Japan (2011) and Institute of Modern Art, Brisbane (2009).

Jemima Wyman at Liverpool Biennial 2012

Collective Coverings, Communal Skin
, 2012
Mixed media installation
Exhibited at FACT