Belinda Kazeem-Kamiński

Belinda Kazeem-Kaminski, Respire, 2019. Courtesy of the artist. ©Belinda Kazeem-Kaminski

Belinda Kazeem-Kaminski, Unearthing. In Conversation, 2017. Courtesy of the artist and mumok – Museum moderner Kunst Stiftung Ludwig Wien. ©Belinda Kazeem-Kaminski

Belinda Kazeem-Kaminski, Fleshbacks, 2019. Courtesy of the artist. ©Belinda Kazeem-Kaminski

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Belinda Kazeem-Kamiński (b. 1980, Vienna, Austria) is a writer, visual artist, and researcher whose works manifest themselves through a variety of media. Rooted in Black feminist theory, she has developed a research-based and process-oriented investigative practice that often deals with archives, specifically with the voids in public archives and collections, as well as the conditions of Black life in an ongoing past. Doing so, she interlaces varying spaces and temporalities, thereby resisting a clean-cut separation between the documentary and the fictional. 

Belinda Kazeem-Kamiński’s works have been shown internationally. Recent solo and group shown include: Seven Scenes (2022) Camera Austria Graz, If A Tree Falls InA Forest (2022) Les Recontresd’Arles, KAS (2022) Centrale Fies, Kunsthalle Vienna (2021), The World is White No Longer. Ansichteneinerdezentrierten Welt (2021) Museum der Moderne Salzburg.