Sandra Suubi is a socially conscious visual activist, whose multimedia physical and sonic sculptural works are a response to her observation / study / experience of popular visual culture and social practices, especially in her country Uganda.
2023 year exhibited in Biennial Find out more
From her early sculptures, constructed from an assorted range of found objects – used plastic, tyres, metal, discarded boats, etc – to the most recent wearable performance installations ( Samba Gown, 2022, Kiragala 2021) made of 2nd hand clothes, plastic pipes, used jeans, used cables, and such, Suubi broaches issues that deal as much with industrialization, single use plastic, climate change, commodity, exploitation, as with the transformative effects of the accumulation of mass produced goods, material culture and women’s lived experiences.
Suubi obtained an MFA in Fine art in 2018 and a BFA in Fine art in 2015 at Makerere University, Kampala, Uganda. Her work was shown during the Kampala Art Biennale in Kampala, ‘The Studio’ curated by Simon Njami in 2018.
Suubi has exhibited in various locations in and around Kampala as well Africa. Recent shows include: Njabala This Is Not How, Makerere Art Gallery, Kampala Uganda (2022); Leral Dakar (Chapter III), Partcours, Dakar, Senegal (2021); Unmapped, KLA ART 18, Kampala Uganda (2018) and Age Of Wonderland, Dutch Design Week, Eindhoven, Netherlands (2014).
Liverpool Biennial 2023
Samba Gown
Sandra Suubi’s ‘Samba Gown’ is a statement of resistance. The work, originally devised as a performance piece, imagines and re-enacts the Ugandan independence ceremony of 1962 as a wedding ceremony. A procession in the Samba Gown is used as a metaphor for what happened that day when Uganda (bride) entered a binding contract with its former colonisers (groom). The work draws attention to the transactional relationship that exists between former colonies and their colonisers. The photographs displayed around the gallery document the wearing of the gown in various rubbish dumps in Kampala, Uganda. Comprised from plastic waste, the gown comments on plastic pollution as one of the major aftermaths of colonialism – Uganda receives thousands of tonnes of plastic waste
Sandra Suubi’s ‘Samba Gown’ is a statement of resistance. The work, originally devised as a performance piece, imagines and re-enacts the Ugandan independence ceremony of 1962 as a wedding ceremony. A procession in the Samba Gown is used as a metaphor for what happened that day when Uganda (bride) entered a binding contract with its former colonisers (groom). The work draws attention to the transactional relationship that exists between former colonies and their colonisers. The photographs displayed around the gallery document the wearing of the gown in various rubbish dumps in Kampala, Uganda. Comprised from plastic waste, the gown comments on plastic pollution as one of the major aftermaths of colonialism – Uganda receives thousands of tonnes of plastic waste from wealthy nations each year. Suubi evokes historical narratives, contemporary narratives on dumping grounds and the West’s exporting of waste, alongside contemporary forms of Western extraction such as knowledge and anthropological studies. Showing at Open Eye Gallery
Samba Gown
Showing at Open Eye Gallery
Tuesday–Sunday 10:00am–5:00pm